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Around The Corner
Zena Van den Block
35 Rue Souverain Pont
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VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
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Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
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The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
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QuickSnap
Camille Poitevin
40 Rue Hors-Château
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P.O.F
Ronan Marret
75 Rue Hors-Château
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Belles récompenses
Mathilde Manka
159 Féronstrée
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Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
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Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
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À mon seul désir
Gral
32 Rue de la Cathédrale
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Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
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Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
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Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
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Pie in the sky
Justine Corrijn
20 Rue de la Sirène
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Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
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Dés-Affectations
Elie Bolard
84 Féronstrée
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Kader / Cadre
Doris Boerman
29 Rue de l'Université
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Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
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Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
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Terres battantes
Camille Barbet
100 Rue de la Cathédrale
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The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
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J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
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my belongings
Celine Aernoudt
5 Rue Chéravoie
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WILL YOU MISS ME WHEN IM GONE
#11
Nina Robert
Artist selected as part of the open call
269129 Rue Saint-Gilles
WILL YOU MISS ME WHEN IM GONE? is a self-portrait and the grave of the modern, detestable and selfish human being, saturated by hyper-connectivity, overconsumption, individualism, loneliness, anguish, addiction, depression, the worship of success and personality.
The butterfly, free and fragile, is ironic. It tones down but recalls the ephemeral nature of life. LEDs romanticize, fantasize and eroticize. The sentences and texts that scroll on the cross are messages exchanged with different people/friends on social networks. Taken out of context, they are a sort of anchoring into reality through the virtual sphere. The Latin cross is above all symbolic and aesthetic, but it is also a satire of Judeo-Christian values and economic liberalism. The ubiquitous and invasive pharmacy cross reminds us of the ambiguity between consumer products and the need for moral and physical survival.
WILL YOU MISS ME WHEN IM GONE? wants to appear immersive, disturbing and inquisitive. Through the enticing and illusory window, the green lights blend into the street and the self-portrait tends towards the self-identification of gazes.