-
Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
-
SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
-
Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
-
Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
-
A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
-
Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
-
Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
-
Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
-
Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
-
Avis de tempête
Camille Lemille
159 En Féronstrée
-
An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
-
Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
-
Cathédrale
Axel Janssen
16 Rue du Palais
-
Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
-
Figure
Bruce Formanoie
100 Rue de la Cathédrale
-
Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
-
L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
-
No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
-
Carpeaux
Patrick Corillon
25 Rue Saint Paul
-
Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
-
Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
-
WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
-
Leakage
Yasmina Assbane
5 Rue Chéravoie
-
Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

L’habitude des disparitions
#8
Julia Renaudot
Open call
19350 En Féronstrée
Julia Renaudot recently graduated with a master’s degree in painting from La Cambre in Brussels.
The theme of travel is the starting point of her practice. From this notion, she freely approaches mental itinerancy, the memory, the past but also dreams, imagination and fiction. Her pictorial approach operates like a veil in front of the eye, like her own memories.
In the world she invents for herself, she produces motifs that evolve with her ramblings. These are imbued with multiple worlds, those behind her, in front of her and inside her. It is a game of appearance and disappearance that she sets up. These visual eruptions tell a story that each viewer can bring to life as he or she wishes.
The blur, this instability in the image, recurs in almost all of her artworks. She speaks of “dream-image”, a key red thread in her work. It generates inspiration and can be open to different types of visual representations. It is only recently that her ideas have manifested themselves in the form of textile printing, installation and performance.
The very frequent transparencies in her work make it impossible to see the image in its totality. We have to turn around it, tame it with our eye to detect some figures. Once the material is finally revealed by the light, the subject reveals itself and is displayed clearly. The resulting image is intoxicating.
Representing comforting and loved universes is fundamental in her practice. She strives to convey a vision of happiness that lets itself be transported by her strolls. This type of candor brings a fragility that is even stronger when she wishes it to be transmitted by an experienced and visited space. She pays homage to wandering.