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The price is worth it
Acher
9 Rue de la Violette, 4000 Liège
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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L’habitude des disparitions
#8
Julia Renaudot
Open call
19350 En Féronstrée
Julia Renaudot recently graduated with a master’s degree in painting from La Cambre in Brussels.
The theme of travel is the starting point of her practice. From this notion, she freely approaches mental itinerancy, the memory, the past but also dreams, imagination and fiction. Her pictorial approach operates like a veil in front of the eye, like her own memories.
In the world she invents for herself, she produces motifs that evolve with her ramblings. These are imbued with multiple worlds, those behind her, in front of her and inside her. It is a game of appearance and disappearance that she sets up. These visual eruptions tell a story that each viewer can bring to life as he or she wishes.
The blur, this instability in the image, recurs in almost all of her artworks. She speaks of “dream-image”, a key red thread in her work. It generates inspiration and can be open to different types of visual representations. It is only recently that her ideas have manifested themselves in the form of textile printing, installation and performance.
The very frequent transparencies in her work make it impossible to see the image in its totality. We have to turn around it, tame it with our eye to detect some figures. Once the material is finally revealed by the light, the subject reveals itself and is displayed clearly. The resulting image is intoxicating.
Representing comforting and loved universes is fundamental in her practice. She strives to convey a vision of happiness that lets itself be transported by her strolls. This type of candor brings a fragility that is even stronger when she wishes it to be transmitted by an experienced and visited space. She pays homage to wandering.