-
Around The Corner
Zena Van den Block
35 Rue Souverain Pont
-
VMC gargouilles
Thomas Sindicas
31b Rue de la Cathédrale
-
Kodomo No Kuni
Mey Semtati
18 Rue de l'Etuve
-
The Faces Collection
Anna Safiatou Touré
16 Rue du Palais
-
QuickSnap
Camille Poitevin
40 Rue Hors-Château
-
P.O.F
Ronan Marret
75 Rue Hors-Château
-
Belles récompenses
Mathilde Manka
159 Féronstrée
-
Quatre Mains / Zonder Handen
Stephanie Lamoline
107 Féronstrée
-
Anatomie du vivant / Life
Sophie Keraudren-Hartenberger
98 Rue de la Cathédrale
-
À mon seul désir
Gral
32 Rue de la Cathédrale
-
Rain Bow
Guillaume Gouerou
4 Rue de la Cathédrale
-
Knock me !
Garage de Recherches Graphiques
85 Rue de la Cathédrale
-
Double Bind
Jane Denizeau & Pauline Flajolet
1 Féronstrée
-
Pie in the sky
Justine Corrijn
20 Rue de la Sirène
-
Parking Cathédrale
Elias Cafmeyer
31a Rue de la Cathédrale
-
Dés-Affectations
Elie Bolard
84 Féronstrée
-
Kader / Cadre
Doris Boerman
29 Rue de l'Université
-
Fatigue
Camille Bleker & Luna Pittau
3 Place des Déportés
-
Si tu me vois
Aurélie Belair
56 Rue Saint-Gilles
-
Terres battantes
Camille Barbet
100 Rue de la Cathédrale
-
The end–promise on packaging
Pharaz Azimi
23 Rue Saint-Michel
-
J’ai déclaré ma flamme
Artik
25 Rue Saint Paul
-
my belongings
Celine Aernoudt
5 Rue Chéravoie
Warning: Undefined array key "current_expo" in /var/www/clients/client3/web4/web/wp-content/themes/artaucentre/loop/vitrine.php on line 25

Solid Rock
#8
Frédéric Platéus
Collection Uhoda
19225 Rue Saint Paul
Frédéric Platéus is a figurehead of the graffiti scene in Belgium and has developed an artistic career with many influences, including his attraction to technology and his admiration for science fiction. Fascinated by the Rubik’s Cube, the artist explores the infinite formal possibilities of the brain teaser by creating Solid Rock. Composed of pyramidal branches unfolding into space, the artwork seems to be an object coming straight out of a science fiction movie. From the fourth dimension, the artist also explores the feeling of illusion by integrating mirrors onto the walls of his sculpture that allow him to play with the perceptions of the spectator. By moving around the artwork, the spectator can observe both the environment and his own presence reflected on the surface of the sculpture, giving a feeling of infinite reading of Frédéric Platéus’ artwork.