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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Murals 1&2
#10
Louis Randhaxe
Artist selected as part of the open call
2427B Rue des Carmes
Built as part of the Brussels International Exposition of 1935, the pavilion of the Grand Duchy of Luxembourg was made up of two separate buildings. While the first one hosted the official part of the exhibition, the second one was designed in three parts that were dedicated to the tasting of Luxembourg drinks. The walls were decorated with bas-reliefs created by Grand Ducal sculptors. The topics discussed gave prominence to the centuries-old practices of the region, to culture and agriculture. The often-tipsy visitors confused the protagonists of the represented life scenes with mystical figures from Luxembourg folklore.
This was the birth of the idea that bas-reliefs, in their evocations of everyday life, are loaded with a mystical power over the collective imagination, an irrational link between the tribe, the pleasure and the most spiritual feelings.
For Art au Centre #10, artist Louis Randaxhe (1998, born and raised in Liège) presents an installation of two bas-reliefs whose subjects and ornamentations, linked to pleasure and popular practices, are directly drawn from this legend. His work is part of a graphic and iconographic research field. He tries his hand at various techniques as an amateur on raw or recycled materials. Particular attention is paid to practices of diversion and domestic appropriation that are similar to DIY practices. The hybridization of motifs, techniques and materials operating at different scales of his work, enables as much back and forth between his referents, his practice of the technique and the decompartmentalization of his vocabulary.