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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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Please like me #2
#10
Margaux Blanchart
Curator : Anna Ozanne
226107 En Féronstrée
Margaux Blanchart is a graduate of the academy of fine arts of Liège (ESAVL, 2021). She uses the image that we reflect of ourselves and the tools that are social networks, as fields of experiment. The visual artist, who only uses herself as a model, appears and disappears from one artwork to another, performing our contemporary attitudes and stereotypes.
Please like me #2 (1) features an installation that consists of a window-sized banner, loaded with self-portraits that the artist has posted on Instagram over the years, as well as stickers, which divert the incentive to like the content posted on this same social network.
The artwork occupies the commercial space of the street, in the same way that the commerce of influencers uses the commercial digital space of Instagram. With the exception that here the call for consumption merges into a more raw and frontal demand. Please like me unfolds a desperately sentimental lament against algorithmic fatalism.
While the first window (Please like me #1, AAC9) staged, not without humor, the preparation and the pause time that are necessary for a successful selfie, this second window (Please like me #2, AAC10) plays with a darker and more melancholic atmosphere. The black and white photographs come from the unpublished works of the artist. The supernumerary production of images highlights the serial aspect of a face-to-face with oneself, with others, a face-to-face with time.
(1) The Please like me project unfolds in two windows and an Instagram account @utilisateur2937, which often extends calls for “likes” throughout Art Au Centre. Please like me #2 follows on from the previous window: Please like me #1 (6 Rue Saint-Adalbert).