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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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L’été sera brûlant
#13
Sarah Feuillas
Artist selected as part of the open call
3093 Rue de la Cathédrale
The memory of a disrupted summer when snow fell in the middle of a solar month. Like a photographic shot, these sculptures made up of natural materials, wax or macramé are brutally stopped in their movement. During a freeze frame, we see that the sunflowers are stopped from reaching the sun. Did the sun burn them to the point that their petals melted?
Is this scene the demonstration of an ecological upheaval where the seasons, disrupted in their yearly cycle, show that snow has fallen in the middle of summer?
I combine photography and sculpture in my work to fantasize about the possibility of reliving the photographic memory while standing inside the image. As an omniscient spectator, I would come to move through the captured scene and analyze what might have escaped me previously. Of the memories of my childhood, only vague snippets, fragments and very few photographs remain. To revisit this summer which has haunted me for several years, I decided to rebuild the scenery and accept approximations.
The weeping willow is made of a macramé weave that reminds me of childhood gestures, from scoobies to sailor bracelets. In the knotting process, this cotton swirl metamorphoses into a net.