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AVENIR MARKET
Niels Vraun
11 Rue de Bex
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Poétique du silence
Hadrien Loumaye
40 Rue Hors-Château
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Tout est lié
Vered Ben-Kiki
137 En Féronstrée
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24h/24 7j/7
Benoit Jacquemin
9 Passage Lemonnier
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Stuwland
Lola Daels & Sebastiaan Willemen
85 Rue de la Cathédrale
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Same again (A sign from Cyndi)
Mark Melvin
25 Rue Saint Paul
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LES INDÉSIRABLES
Olivier Bémer
5 Rue Joffre
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Notifications
Flaviu Cacoveanu
5 Place des Déportés
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Mauvaises graines
Julie Gaubert
1 En Féronstrée
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Machine chromatique
Jean-Paul Gaucher
31a Rue de la Cathédrale
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IN ICTV OCVLI
Thierry Hanse
75 Rue Hors-Château
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Fermé aujourd’hui
Petra Herzog
16 Rue du Palais
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ASSYRIANS
Romane Iskaria
7 Rue des Carmes
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What is night ?
Alicia Kremser
28 Boulevard d'Avroy, 4000 Liège, Belgique Liège
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Filon
Carole Louis
159 En Féronstrée
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Espace ver{t}s
Les Rayons
5 Rue Chéravoie
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Pédilum
Brieuc Maire
50 En Féronstrée
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Brighten up your day with the loving mediator
Lauralie Naumann
100 Rue Saint-Gilles
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Plafond
Camille Bleker & Luna Pittau
44 Rue Saint-Gilles
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CYBER KIDS
Pol-Edouard
14 Rue de la Sirène
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Respirer des heures bleues
Alice Quentel
4 Rue de la Cathédrale
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WILL YOU MISS ME WHEN IM GONE
Nina Robert
129 Rue Saint-Gilles
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Barrotes
Jesse Siegel
29 Rue de l'Université
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Tabula Lapsa, Natura Rasa… La Peau d’une fleur
Cléo Totti
2 Rue de la Boucherie
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Peach Tree, Ambiguous
Anouk van Klaveren
Passage Lemonnier 33-35
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Labo#Light installation
Jan Wittoeck
31b Rue de la Cathédrale
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AFFICHE_CVG_M1_V18_OK_BON_FINAL_VRAIMENT_LAST
Students l’ESA Saint-Luc Liège Master 1 "Communication v...
107 En Féronstrée

What is night ?
#11
Alicia Kremser
Artist selected as part of the open call
26028 Boulevard d'Avroy, 4000 Liège, Belgique Liège
The installation is part of my ongoing research questioning safety through acts of care. I am particularly interested in how nocturnal conditions render senses of safety, associating with my own fears in a series of works. In (semi-)public urban spaces, passers-by are confronted with projected text statements that encourage interdependent acts of care to ensure other people’s safety at night and bring upon a dialogue on the subject’s own relationship to nocturnal safety. The works are site-determined by nature through their placing at locations that may be considered precarious for a vulnerable body to encounter alone at night.
The shift in visibility of the present installation’s projection through natural and artificial light conditions highlights the virtue of the work’s placing in this particular setting in harmony with its meaning: light, day, warmth and the inside (domestic) space can be considered as safe, innocent, comforting; whereas the opposing connotations night, darkness, cold, outside imply vulnerability.