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Cristina Mirabilis
Academy of Fine Arts of Catane
137-139 En Féronstrée
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SpringMerz
Marion Voegelé
31a Rue de la Cathédrale
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Wafel de Liège
Jannes Lambrecht & Mirthe Vermunicht
100 Rue Saint-Gilles
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Signing To A Spitting Image
Rémie Vanderhaegen
6 Rue Gérardrie
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A Fragile Relationship In A Sturdy Façade
Jeannette Slütter
11 Rue de Bex
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Chambre, vue
Pierre-Alain Poirier
14 Rue de la Sirène
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Midnight Leaves
Bettina Marx
28-30 Boulevard d'Avroy
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Gravats
Lucile Marsaux & Théo Philippot
107 En Féronstrée
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Ambient, Aberrant
Sonia Mangiapane
7b Rue des Carmes
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Avis de tempête
Camille Lemille
159 En Féronstrée
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An Enchanted Break
Cristina Lavosi
9 Rue de la Violette
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Du béton du métal dont sont faites vos parois
Anaïs Lapel
1 En Féronstrée
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Cathédrale
Axel Janssen
16 Rue du Palais
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Always Stuff, Four Blue Office Chairs
Gilles Hellemans
32 Rue de la Régence
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Figure
Bruce Formanoie
100 Rue de la Cathédrale
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Étendue 02
Elisa Florimond
85 Rue de la Cathédrale
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L’été sera brûlant
Sarah Feuillas
3 Rue de la Cathédrale
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No, no ! Only as fast as possible without stress
Jan Duerinck
44 Rue Saint-Gilles
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Carpeaux
Patrick Corillon
25 Rue Saint Paul
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Traveling Tales
Tamuna Chabashvili
40 Rue Hors-Château
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Double exposition
Bertrand Cavalier & Fabien Silvestre Suzor
31b Rue de la Cathédrale
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WELCOMCOM
Ondine Bertin
4 Rue de la Cathédrale
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Leakage
Yasmina Assbane
5 Rue Chéravoie
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Onsite Website : The Official Emoji Shop
Éloïse Alliguié
29 Rue de l'Université
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What is night ?
#11
Alicia Kremser
Artist selected as part of the open call
26028 Boulevard d'Avroy, 4000 Liège, Belgique Liège
The installation is part of my ongoing research questioning safety through acts of care. I am particularly interested in how nocturnal conditions render senses of safety, associating with my own fears in a series of works. In (semi-)public urban spaces, passers-by are confronted with projected text statements that encourage interdependent acts of care to ensure other people’s safety at night and bring upon a dialogue on the subject’s own relationship to nocturnal safety. The works are site-determined by nature through their placing at locations that may be considered precarious for a vulnerable body to encounter alone at night.
The shift in visibility of the present installation’s projection through natural and artificial light conditions highlights the virtue of the work’s placing in this particular setting in harmony with its meaning: light, day, warmth and the inside (domestic) space can be considered as safe, innocent, comforting; whereas the opposing connotations night, darkness, cold, outside imply vulnerability.