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The price is worth it
Acher
Boulevard d'Avroy 28-30
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TO DO
Hilal Aydoğdu
100 Rue Saint-Gilles
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V – 150360/1 p. 204, 265, 266
Dóra Benyó
1 Féronstrée
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Fausse bonne nouvelle
Juan d’Oultremont
31b Rue de la Cathédrale
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Et fouisse toujours on trouvera bien
Gaspard Husson
18 Rue de l'Etuve
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La constellation du navire Argo
Sarah Illouz & Marius Escande
Hôtel de la Cour de Londres 40 Rue Hors-Château
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One Line (… Better Than On – line!)
Marin Kasimir
31a Rue de la Cathédrale
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Cityscape
Sarah Lauwers
29 Rue de l'Université
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Traversées
Alexiane Le Roy
3 Rue de la Cathédrale
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Mécanique d’un mur
Raphaël Maman
9 Passage Lemonnier
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Vapeurs
Eva Mancuso
5 Rue Chéravoie
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Don’t cry over spilllllled tears anymore
Francisca Markus
7 Rue Saint-Remy
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Actions !
Maxence Mathieu
56 Rue Saint-Gilles
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On ne peut rien faire d’autre que tenir debout
Élodie Merland
113 Rue de la Cathédrale
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Travel Local, Buy Local
Oya
107 Féronstrée
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Le vestiaire
Camille Peyré
85 Rue de la Cathédrale
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22 empans et 1 palme
Leïla Pile
75 Rue Hors-Château
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Chronique florale
Ionut Popa
101 Féronstrée
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The Sunken Place
Louise Rauschenbach
4 Rue de la Cathédrale
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Le temps d’une trace / La trace du temps
Florian Schaff Marvyn Brusson
1 Rue Courtois
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Open closet archive 1995/2021/2023/2024
Bo Stokkermans
Passage Lemonnier, 37-39
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Mutations x Urbaines
Adrien Mans Benjamin Ooms
17 Rue des Croisiers
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Je m’organise…
Leen Vandierendonck
159 Féronstrée
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Wer rettet die Welt
Paul Waak
16 Rue du Palais
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Regarde… ce qu’il se passe à côté
Sculpture/Peinture B3 ESA Liège Melissa Andreia Alves ...
137-139 Féronstrée
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Pauvre petit belge qui tremble
Paolo Gasparotto
25 Rue Saint Paul
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COULD NOT BE SOLD REGULARLY
#6
Vincent Knopper
Open call
135Rue Basse Sauvenière, 56a
The practice of Vincent Knopper investigates the artistic potential of non-artistic, functional materials used in furniture, exhibition-design and architecture. His works, mainly sculptures, are the result of a thorough process of making that is focused on the transformation of mass produced materials such as chipboard panels and acrylic sheets into sculptural components.
One of his interests is the idea of irregularity within the context of mass production. Irregularities, either in the form of context or material manipulation is often the starting point for a series of works. For the occasion for could not be sold regularly Knopper searched in depot-sales, stock auctions and other markets for discarded, misfit cabinets. He started to collect models that got removed from the catalog, that where used as show model or that for any other reason could not be sold regularly and therefore shifted from commodity to rare item. Harvestings from the collected furniture, such as doors, shelves and sides, were joined into one large sheet, to then be cut and glued to the sculptures here on display.
In the space that is used for the presentation of his sculptural works, Knopper also performed a small set of renovations such as painting and wood repairs. He states that the renovations are not a performance and the result will not be presented as an artwork. Bringing together his artistic practice and non-artistic work forms part of a larger ongoing research. He questions how those practices inform each other and how they create a context, especially when unfolding in the same space. In the context of Art au Centre the renovations are also a direct reference to the exhibition-format, which is to revitalize the city-center of Liège by showing art.